Veteran actress Shabana Azmi who was honored with Crystal Award by the World Economic Forum alongside Hollywood actor Michael Douglas this year and just got Filmfare Lifetime Achievement Award is flirting with idea of directing films.

Even though she finds acting much more comfortable than directing, the acclaimed actress says she is open to direction. But the film has to be a human story that touches her.

Don't you think it was premature to give you the Filmfare Lifetime Achievement Award?
Not at all. I’ve been around for a lifetime. I came in 1974 with ‘Ankur’. I think it’s wonderful to receive the lifetime achievement award when you’re busy. I’ve never been busier as an actress as I’ve been in the last three years. When I was in parliament, I restricted my work to the time I was on vacation. Now I’m working a lot.

You're the most awarded actor of this country. Does the lifetime achievement mean that much?
I think the lifetime achievement award is significant because your work over the years is being appreciated. But in recent times, the other special award was the Davos award where I was put on the same level as Pablo Coehlo and Umberto Eco, and I received it along with Michael Douglas. So I guess these two awards thrilled me quite a lot.

Do you see yourself as an achiever?
I see myself as an actor who has been lucky enough to be at the right place at the right time.

You sound so charged?
I think acting by itself is a rewarding profession. It allows you to inhabit other people’s lives. Imagine how much it adds to your experiences. For ‘Ankur’, the 20-year old Shabana Azmi walked into a village in Andhra Pradesh that she had never seen, then so many years later she plays Anu in ‘15 Park Avenue’. She adds all she had learnt over the years to her character.

You're lucky to get roles that do justice to your talent.
But filmmaking is such a collaborative business. A writer writes it and a director develops the vision and takes on a team he wants. Actors get credit above the rest because theirs in the most visible work. In their hearts, all actors know that others are covering up their weakness and highlighting their strengths. In theatre, an actor is on his own, no matter how much she’s propped by the director and others. In that sense, theatre is much more an actor’s medium. I’m grateful to the hundreds on the set who help me do my best work possible.

So when are you directing a film?
It’s so easy being an actor. Why should I put my head on the chopper? Mahesh Bhatt once told me that direction is about having a dream and then watching it crumble. Why should I watch my dream crumble? But once in a while, I flirt with the idea of direction. I’ve to find a story I want to direct. And I don’t want the burden of a socially responsible film - burden that I can’t bear. If I direct, it would be a human story that touches me. I’m nervous of forcing myself into making a socially relevant film.

Will you cast yourself?
Impossible! There is no question about that. If I direct, I wouldn’t cast myself.

Whom would you cast?
Someone like Kareena Kapoor. She’s a very, very special girl. In J.P. Dutta’s ‘LOC’, I fell in love with one shot of hers. She stunned me.

This was the first year in years when Javed Akhtar wasn't nominated for the best lyricist award.
Yes. Javed was supposed to give away another award. He insisted on giving Gulzar Saab the award. And Gulzar Saab threw such a line at Javed - ‘I’m glad you’re not in the nominations list’. Only a writer can think of such a clever line so quickly.